I pilfered these from Graham Harman‘s blog. Graham is right, this is one of the best songs to emerge from an evil dictatorship.
I love both versions, but this second one opens up a Soviet sized nostalgia zone in my head… even though I’ve never heard this song before. All the notes this songs hits are familiar and mysterious at the same time.
Dan Wieken‘s metal band, Blood Folke (pictured above), played at the Kitty Cat Klub in Minneapolis last night. Their epic folky doom-laden sound was the perfect antidote to the madness known as St. Patrick’s day.
The Night (pictured below) opened. I feel bad for opening bands I draw. The drawings I make of them tend be my warm ups… and result in a couple of awkward images.
The La Mano Second Annual Report: Several local artists & cartoonists joined forces with a few great local bands. The result was pretty great and a lot of fun. My favorite part of the evening was the performance by Arctic Universe. It was a minimalist performance. In the darkness of the concert space, among shimmering cold-approaching-absolute-zero wave industrial synth-pop, a three-walled structure was erected, slowly methodically, deliberately… a flawed and flimsy shelter to protect against the immeasureable immensity of an unfeeling arctic universe. I kept imagining the performance as if it was drawn by Yuichi Yokoyama… it seemed strangely appropriate, in the best posible way.
The event also saw the debut of a new book from my publishing ‘label’ Uncivilized Books: The Petrified Catalogue by Dan Wieken. The book is now available for sale on the UB site. I think it turned out pretty great (if I do say so myself) mostly due to Dan’s amazing, macabre and hyper detailed drawings. Check it out. I will do a more detailed write-up about it in my next post.
Every other Saturday, at a small bar named Dusty’s, in Northeast Minneapolis, Bill Patten and his posse perform a variety of songs. His musical tastes are eclectic, but impeccable. Watch especially for the Dick Dale meets Ennio Moricone mashup which frequently ends the night. No matter what mood I’m in when I get there, I always leave with a big smile on my face.
Every now and then I like to imagine a counterfactual pop-music history. In the 50s & 60s, instead of plonking on guitars, aspiring pop musicians stocked up on wires, transistors & vacuum tubes. The basements and garages of their parents suburban homes became audio research laboratories exploring the musical potential of electricity, electro-magnetism and other still undiscovered forces of nature. In that world Ursula Bogner would have been a star.
While digging through my originals (available for sale here: batch 1 and batch 2, more soon!) I found a bunch of original unused letterpress covers for Cartoon Dialectics Vol. 1! That means I can bring a small edition of these back into print! It’s been sold out for close to two years. I don’t know how many times people have asked me about it at shows. I’m h […]
kilgorebooks: Oh yeah, we’re releasing this this year. King-Cat/johnporcellino documentary, ‘Root Hog or Die’ — coming Fall 2014. With noahvansciver, Ivan Brunetti, Jeffrey Brown, Zak Sally, Kera X, Laney the Oyster & Loads of other great folks. […]
The Uncivilized Books Lab is proud to announce that we’re partnering with cartoonist Erik Johnson to bring to life his infinite loop comic, Kozmo-Knot. He’s been working on this unique object for 10 years! We we saw Erik’s prototype, we knew we had to help out! Here’s a little about the project: Kozmo-Knot is the […]
A couple weeks ago Gabrielle Bell and her new book, Truth is Fragmentary were all over Huffington Post. Did you catch it? If you didn’t here’s some of the nice things they said: How does one reconcile the desire to be alone while simultaneously craving companionship? Throughout her book, Bell is pulled in opposite directions […]
Last week, Canada’s The Globe and Mail reviewed Gabrielle Bell’s Truth Is Fragmentary. It’s short but sweet: At one point in her latest comic-strip memoir, Gabrielle Bell wonders whether she is “one of those people who are afflicted with too much consciousness.” For readers, though, Bell’s affliction – evident in her pensive captions, careful lines, […]
Paste Magazine reviewed Gabrielle Bell’s Truth is Fragmentary. They have some very nice things to say: Most of the book’s pages are black-and-white, with an uncomplicated panel structure. This approach is characteristic of the genre, but Bell has a great grasp of body language. In addition, her unique aesthetic never veers into sloppiness or overworks […]