I pilfered these from Graham Harman‘s blog. Graham is right, this is one of the best songs to emerge from an evil dictatorship.
I love both versions, but this second one opens up a Soviet sized nostalgia zone in my head… even though I’ve never heard this song before. All the notes this songs hits are familiar and mysterious at the same time.
Dan Wieken‘s metal band, Blood Folke (pictured above), played at the Kitty Cat Klub in Minneapolis last night. Their epic folky doom-laden sound was the perfect antidote to the madness known as St. Patrick’s day.
The Night (pictured below) opened. I feel bad for opening bands I draw. The drawings I make of them tend be my warm ups… and result in a couple of awkward images.
The La Mano Second Annual Report: Several local artists & cartoonists joined forces with a few great local bands. The result was pretty great and a lot of fun. My favorite part of the evening was the performance by Arctic Universe. It was a minimalist performance. In the darkness of the concert space, among shimmering cold-approaching-absolute-zero wave industrial synth-pop, a three-walled structure was erected, slowly methodically, deliberately… a flawed and flimsy shelter to protect against the immeasureable immensity of an unfeeling arctic universe. I kept imagining the performance as if it was drawn by Yuichi Yokoyama… it seemed strangely appropriate, in the best posible way.
The event also saw the debut of a new book from my publishing ‘label’ Uncivilized Books: The Petrified Catalogue by Dan Wieken. The book is now available for sale on the UB site. I think it turned out pretty great (if I do say so myself) mostly due to Dan’s amazing, macabre and hyper detailed drawings. Check it out. I will do a more detailed write-up about it in my next post.
Every other Saturday, at a small bar named Dusty’s, in Northeast Minneapolis, Bill Patten and his posse perform a variety of songs. His musical tastes are eclectic, but impeccable. Watch especially for the Dick Dale meets Ennio Moricone mashup which frequently ends the night. No matter what mood I’m in when I get there, I always leave with a big smile on my face.
Every now and then I like to imagine a counterfactual pop-music history. In the 50s & 60s, instead of plonking on guitars, aspiring pop musicians stocked up on wires, transistors & vacuum tubes. The basements and garages of their parents suburban homes became audio research laboratories exploring the musical potential of electricity, electro-magnetism and other still undiscovered forces of nature. In that world Ursula Bogner would have been a star.
MariNaomi was recently a guest of Cary Barbor’s Books and Authors podcast. She recorded an in-studio interview to discuss Dragon’s Breath and Other True Stories. You can listen to the show here. It’s a fairly short interview, just hitting the 17 minute mark. Order Dragon’s Breath from our website, and follow Mari on Twitter. […]
Derek (Eel Mansions) Van Gieson and Edie Overturf recently opened an exhibition with Public Functionary titled “In Search Of …”, and l’étoile, and an interesting Twin Cities arts mag, caught up with them to discuss it. The premise for In Search Of… revolves around the act of narration and the authenticity and origin of narratives. In it, […]
Shawn Starr posted an insightful essay on Sophie Yanow’s War of Streets and Houses, offering commentary on Sophie’s use of the comics grid. Yanow’s panels though are free drawn, weaving up and down, veering to the right a little or the left. It is in these inconsistencies that we see the artist’s hand first and […]
Scott Cederlund offers the first review of Mana Neyestani’s An Iranian Metamorphosis. It comes as part of Panel Patter‘s SPX Spotlight coverage. What An Iranian Metamorphosis demonstrates is the power of the cartoon. It’s not something that we think of all that often. Our reviews and critiques mostly boil down to “buy it” or “don’t buy […]