While digging through my originals (available for sale here: batch 1 and batch 2, more soon!) I found a bunch of original unused letterpress covers for Cartoon Dialectics Vol. 1! That means I can bring a small edition of these back into print! It’s been sold out for close to two years. I don’t
As promised before, here’s another batch (002) of original art for your consideration.The range is similar the the previous batch (001). From tiny (2 x 2 inch) paintings like this one: to full color painted comics pages like this one (Ransom Strange from Swindle Magazine #12. 10 x 12 inches): To hand drawn typography
Ho ho ho! I recently released a new mini-comic: Skyway Sleepless. It originally appeared in Twin Cities Noir. You can buy it on the Uncivilized Books site… OR if you’ve always wanted a signed copy of Beta Testing The Apocalypse but couldn’t get one, I’m offering them now for a limited time here. All copies
I’ll be manning the Uncivilized Books table (table i8) at SPX all weekend! I’ll be there with Kevin Huizenga, Dan Zettwoch, Zak Sally & Peter Wartman. Stop by to say hi! Meanwhile, look what I got in the mail! The French version of Beta Testing the Apocalypse is a reality! The book is in
I’m excited to announce that I’ll be a guest at the Brooklyn Book Festival on September 22nd. I’ll be on the The Real: Comics Nonfiction panel. Here’s a description: 3:00 P.M. The Real: Comics Nonfiction. Three artists represent the diverse spectrum of topics taken on by nonfiction comics-Ed Piskor’sHip-Hop Family Tree offers an encyclopedic comics history
This is how final front/back cover (pictured, click to see full-size) to Beta Testing the Apocalypse came to be (see parts 1, 2, 3, 4, 5, 6 of this series). It was one of the most complicated drawings I’d drawn. It was done! Or was it… ? More soon!
So, I’m continuing the cover process for the Beta Testing the Apocalypse cover. Previous parts: 1, 2, 3, 4, 5. In the last post, I was showing the evolution of the color. This time I’m focusing on the type design. This was the first iteration. I wanted to typographically mirror the ‘beta testing’ concept by having some
The next task was color. I started out by blocking out areas that were closer to the viewer… more in focus. I ended up subdividing the line art into three ‘layers’ apparent below. Initially I wanted a limited 2-3 color palette… but it quickly became obvious that the detail demanded something else… I eventually